Premise: If a story, then a storyteller.
Premise: A story.
Conclusion: A storyteller.

Premise: If a story, then a storyteller.
Premise: A story.
Conclusion: A storyteller.
I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
Is ballet a sport? The question is asinine in at least two ways. Of course it is, whether one is asking does it qualify as one or simply based on the assumptions implicit in the question itself. To put it as stupidly, would a Ferrari fit in my garage? Is Rivendell a better deal than
All the while watching Mad Men seemed to me the question was ‘Would Don Draper be redeemed?’ Breaking Bad was running roughly concurrently and the same question with an otherly alliteration was being posed: ‘Would Walter White be damned?’ The answer to the first was quintessentially postmodern, exquisitely childish, and thereby perfect — neither. Or, as an actual
To put the last first … Yes … can’t always get what we want Yes yes … we work as unto the Lord Yes yes yes … sacrifice, live, die, etc. But … what for? How then shall we live and die? + Saito says it’s this. To End All Wars — what Prisoner of
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I
Adore and obey, don’t fulminate and flee Be a man not a guy A producer not a consumer Solution not problem (or be quiet) (which doesn’t mean don’t talk ever) Measured not random Good not bad Lean not fat Walking not sitting Writing not watching Reading not watching Watching not sleeping Pay attention! People not things
More battle scenes please Once teaching a high school American Literature class — and let me tell you, once is enough —a student he says, “I don’t understand The Red Badge of Courage. It’s a war book, but there are hardly any battle scenes. I don’t get it.” So we did a little Socratic dialogue, and
Thomas Merton was asked once to contribute to a book on success — specifically a statement of how he’d achieved it in his own life. I replied indignantly that I was not able to consider myself a success in any terms that had meaning to me. If it happened that I had once written a
Your plan is not working, they say. Ah, but my plan is working, we respond. (I just haven’t fully implemented it, yet … ) But look at the results you’re getting, they say. Things a’gonna change, just you wait, comes our reply. * The truth is, our plan is working. Mine is, yours is, theirs