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Leave a Comment / By Paul Hughes / November 27, 2016

Live lean.

Altar ends.

Mercy burns.

Pleasantly surprising.

Love to the point of folly.

Afflictions eclipsed by glory.

Write until your fingers break.

Everything worth doing hurts like hell.

The individual will be thoroughly misunderstood.

Write as if you were dying … — that is, after all, the case.

Completely fearless, absurdly happy, and in constant trouble.

Every action you take and every signal you send must be in support of the story.

You have to realize, ‘If I don’t write this — no one will. If I die — this idea dies with me.’

Sources
Bruton
Chekov
Chesterton
Crowder
Day
Dillard
Godin
Howden
Kierkegaard
McMillan
Me
Miranda
Morning
O’Connor

Recent

Coyotes and Christians

I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,

And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

What I Recalled Watching Netflix

[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

Words on Silence

Silence is the real. Words lie on top. + To be alone with the Alone He drapes himself in silence Art, too, is the fruit of silence Silence is the privilege of the brave Silent love can only grow in humility What is extraordinary is always silent Silence strips man and makes him like a

Metered Sins

Poetry’s a sneaky bastard. All the time sidling up to one on false pretenses — ‘It’s just the one’ … ‘We won’t intrude’ — and they’re all lies damn one’s eyes! Lies-damned-lies and no need for statistics and the pile of warm laundry does not diminish and soon loses its warmth and begins to glower

Kim Possible

All the while watching Mad Men seemed to me the question was ‘Would Don Draper be redeemed?’ Breaking Bad was running roughly concurrently and the same question with an otherly alliteration was being posed: ‘Would Walter White be damned?’ The answer to the first was quintessentially postmodern, exquisitely childish, and thereby perfect — neither. Or, as an actual

Unintelligent Design

Your plan is not working, they say. Ah, but my plan is working, we respond. (I just haven’t fully implemented it, yet … ) But look at the results you’re getting, they say. Things a’gonna change, just you wait, comes our reply. * The truth is, our plan is working. Mine is, yours is, theirs

The American Poet

In evangellyfish circles there used to be a joke thus — Let us now turn to Malachi, the Italian prophet. The joke works if you say chi the way we’re supposed to say Qi if it’s the Chinese thing. And it works, though my Italian wife will die on the bruschetta with a hard “k”

Everyone’s From Somewhere

On this the last day of August, is my only post for August. It’s been busy. I don’t much like that word — busy, not August — but it’s good shorthand, and right about nowshorthand is most welcome. In August we got new flooring in the kitchen and bathroom had the entire interior of the

Lyric Lent

Mostly I gave up meat for Lent. Or to put it another way, I gave up meat (mostly) for Lent. And this is how Lent often goes and the difference I think isn’t usually that it doesn’t go that way but that it’s OK when it does. Not that it’s OK to give our word

Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

Days are gods