Steps

Adore and obey, don’t fulminate and flee
Be a man not a guy
A producer not a consumer
Solution not problem
(or be quiet)
(which doesn’t mean don’t talk ever)
Measured not random
Good not bad
Lean not fat
Walking not sitting
Writing not watching
Reading not watching
Watching not sleeping
Pay attention!
People not things
Paper not screens
Trees not screens
Clean not dirty
Neat not cluttered
(mostly)
Typing not keyboard
Pen not typing
Letter not email
Call not letter
Think, think, think
Feel, feel, feel, feel
Don’t confuse them!
Movies over TV
(except for Katy’s)
Active not passive
Love God and others, especially M

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Recent

And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

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What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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Random

Being That Guy

Once after one of my MFA professors had said the work we were reading was neither good nor original, the student who’d produced the pages wailed, But … but this actually happened! So what? He said. * I think François Truffaut said everyone in fiction is crazy, and the problem is to render this craziness

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Christ on a Postage Stamp

Got to thinking on postage stamps today bec hadda mail a book to a friend and when you go in you hafta say to the guy, no matter what your actual business is that day, and of course you’re already saying it if you went in for this purpose — ‘What first class stamps d’ya have?’ It’s

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You Da Man

   A Good Friday And petulant Pilate as if triumphant — What I have written, I have written! Finally a decision.    

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Everyman’s Death

It’s legit unseemly. Our being ‘gutted’ and whatnot by the deaths of people we don’t know. Still, there is John Donne and there is continuity and there is in the end … us. Well, there ought to be but we usually skip not to the end — that bell tollling for we. + Also unseemly

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Missing Dinner

The common phrasing phor life today offers one and sundry the common counsel, Live, Laugh, Love. Jesus responds — preempts if you prefer it precise — with semi-characteristic frankness Love Love Love I say semi-characteristic since only half the time is he blunt, while the other half he’s maddeningly opaque — like the dork in high

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The Smart Young Student

Then a student came up to Him and said, “Teacher, what must I do to get an A?” And the Teacher said, “Now you want to know? Now you care — and you think I can help? Look, to get an ‘A’ just do the things that get an A: think critically, run the spell-check, yes, you need

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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True Romance

Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the

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