Recent
Trick Shot
Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people
No Prizes for Subtlety
It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Random
Lyric Lent
Mostly I gave up meat for Lent. Or to put it another way, I gave up meat (mostly) for Lent. And this is how Lent often goes and the difference I think isn’t usually that it doesn’t go that way but that it’s OK when it does. Not that it’s OK to give our word
An Epic For Our Time
Peter Jackson’s “The Hobbit” is like cram, the bread the dwarves eat for weeks as they explore The Lonely Mountain — and for much longer as men and elves lay them siege. It sustains but does not nourish, providing energy but no taste. But let Tolkien tell it: “I don’t know the recipe, but it
Murder, Inc.
In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,
Trilemma
Bear no malice nor ill-will to any man living, for either the man is good, or naught: if he be good, and I hate him, then am I naught; if he be naught, either he shall amend, and die good, and go to God; or abide naught, and die naught, and so be lost.