Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Hadda a girl once, this was during college. Darkest, longest hair, biggest brownest eyes … Not that kind of story, whatever kind you thought. Being stupid (I said this was during college, yes?) I’d no idea … none. Not what it was nor what it cd be and thus not that one though it set
Something we know well and another I know little. Remember … re-member … before we begin Dallas Willard on knowing — namely … named-ly … not intellectual apprehension but interactive relationship. Each and both come from the same aim: good and right and lovely when well and harmful on all counts when not, as is
A wayback bit of my memory mentions to me how George Thorogood and Bob Seger each felt, responded, etc., when asked to play their single most widely known songs — which are of course this one and this one, respectively — for live shows. Elements of the discussion — one article, with thoughts from both?