Dallas Willard

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Greater Love Blah Blah Blah

Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on

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Random

One

Chapter Nine of Peace Like a River — the best novel of the first quarter century of the millennia and yes, I know there are 3 to 4 years left of that range, depending on one’s counting to 100 — is when the Land family hears they now own an Airstream trailer, courtesy of the

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I Wish I Had Written This Post

If you could do it, I suppose, it would be a good idea to live your life in a straight line — starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King’s Highway past the appropriately named dangers, toils,

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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Duo

… More then says because he’s in prison and only has a coal with which to write he can’t respond fully to the view that one ought harm an evil man lest he cause even greater harm to such as are innocent and good. But He counsels us that even if it be our formal office to punish an evil

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