Madeleine L’Engle

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There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate

The birds start by 0315 here, which is when I awoke this morning. They didn’t do it, make me wake-up, they’re not roosters after all,

To put the last first … Yes … can’t always get what we want Yes yes … we work as unto the Lord Yes yes

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years

Near the start of The Shawshank Redemption Andy Dufresne is on the witness stand, losing a battle for his life he will ultimately win. The

Raymond Chandler In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy,

If mere humans may have things abominable to them, mine is lying. I hate it in nearly all forms: commercial advertising and political propaganda, of

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate

The birds start by 0315 here, which is when I awoke this morning. They didn’t do it, make me wake-up, they’re not roosters after all,

To put the last first … Yes … can’t always get what we want Yes yes … we work as unto the Lord Yes yes