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And Did Dostoevsky Say ‘Beauty Will Save’
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
Random
Tolkien’s Errantry
‘Errantry’ JRR Tolkien Commercially found in Adventures of Tom Bombadil Image: detail, Pauline Baynes’ illustration, for above [Where did JKR hear the buzz of Dumbledore … ]
Syllogism
Premise: If a story, then a storyteller. Premise: A story. Conclusion: A storyteller.
Trusting Taylor Sheridan
Yellowstone sucks. Och! — but you knew that. Wait … umm … we can agree on that right? + Prolly not — else why this blog post and the recent headline that its ‘creator’, Taylor Sheridan, said Season 4 is in the can. + I tried to get through Season 1 again. Had bought it a
True Romance
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the