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And Did Dostoevsky Say ‘Beauty Will Save’
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
Random
Semi Stuff
Here’s a way to say it — I pay attention, I notice things, I remember, I make connections; my mind moves fast — and long, on the connections. Draw the well deep, carry far the water. [The semi-colon technically ‘replaces’ the period but artfully between the two a difference wd be how a semi-colon can
And Did Dostoevsky Say ‘Beauty Will Save’
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
The Simple Art of Murder (Excerpt)
Raymond Chandler In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not
The Professional
shows up every day stays on the job all day commits to the long haul sets the stakes high, sees they’re real is patient seeks order demystifies acts in the face of fear accepts no excuses plays it as it lays is prepared doesn’t show off masters technique asks for help doesn’t take failure