Premise: If a story, then a storyteller.
Premise: A story.
Conclusion: A storyteller.
Syllogism
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Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Dark Eyed Life
According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the
Random
Dirty Rotten Scoundrel
Some of my best friends have a problem with the dirty poor. These are the folks below the dirt-poor — which describes a financial level not the person himself. These are the dirt-encrusted, unemployed, possibly begging (relying on strangers, kindness, and a fair economy as much as the rest of us, anyway), frequently transient (the weather
Plough Lines
“For sale: baby shoes” is a classified ad. “For sale: baby shoes; never worn” is a story. It’s Hemingway’s, in fact. * “The king is dead” is a news bulletin. “The king died, and the queen died of grief” is a story. Better yet, “The king died, and the queen and her lover died in
Columbo: Why It Matters
This is part two of a two-part post on why, some 45 years later, Columbo still matters. Part one is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * I now have the entire collection, all 35 years, nearly 70 episodes in all, and I’ve seen each
The Country for Old Men
Walter Hartwell White is going to hell. Whatever else happens — whoever dies in the shootout, no matter what-all happens in the final three episodes, whatever he’s planning to do with the ricin recovered from his burned out house — that’s a fact. In fact, Breaking Bad creator Vince Gilligan said that was the point, one which
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Metered Sins
Poetry’s a sneaky bastard. All the time sidling up to one on false pretenses — ‘It’s just the one’ … ‘We won’t intrude’ — and they’re all lies damn one’s eyes! Lies-damned-lies and no need for statistics and the pile of warm laundry does not diminish and soon loses its warmth and begins to glower
16 Precepts
You have asked me how to pursue learning. I pass this along in response — Move from the easier to the difficult Be cautious of speech Be slower still in frequenting places of talk Embrace purity of conscience Pray without ceasing Love your home and to be there often Show geniality to all Pay no heed to others’
It’s Not Gonna Be Me
First thing I noticed anew this year watching It’s a Wonderful Life was how happy George Bailey was to be going to jail. He celebrates it, as he bursts through his front door to be greeted by a bank examiner, a journalist, and the sheriff. If those three “walked into a bar” it might not be
The Good Fathers
Was going to write on Walter White and Michael Corleone. But someone already did.