Rumi

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And Did Dostoevsky Say ‘Beauty Will Save’

Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that

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What I Recalled Watching Netflix

[Television is educational.]   One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain

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Seeking the King

A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do

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He’s the Guy

Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;

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Random

Ship of Friend

Two dynamics characterize the practice of contemplation: deepening concentration and expanding awareness. These two are one. They give birth to twins: inner solitude and loving solidarity with all. Martin Laird, A Sunlight Absence This post started a little rando, but its contents aren’t … heh — especially where its contents aren’t mine. Elsewhere — possibly

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Inconvenient Truth

Near the start of The Shawshank Redemption Andy Dufresne is on the witness stand, losing a battle for his life he will ultimately win. The district attorney calls “inconvenient” the inability to find the gun used in the crime. Andy has used the gun to make a hole in the river, though not to make

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Murder, Inc.

In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,

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The Professional

  shows up every day stays on the job all day commits to the long haul sets the stakes high, sees they’re real is patient seeks order demystifies acts in the face of fear accepts no excuses plays it as it lays is prepared doesn’t show off masters technique asks for help doesn’t take failure

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