The Big Short

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Ensamples

Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via

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Lipstick

Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action

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Not For Teacher

There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer

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Diminishing Me

You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28

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Random

Ark Of The Christian Life

Not God is the phrase they use in AA for realizing we are, well … not God. And no, I’m not an alcoholic. No really — I’m not. Not God is also the answer to the question, WTF? What is wrong with people, this place, my parents, and our upbringing, education, choices and decisions, and probably

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Fast Food Nations

Sometimes the blogs write themselves. “There’s a really strong pull … to come to different countries. There is a growing familiarity outside the United States with Mexican food.” (Fast food exec in Bloomberg, Dec. 2015) “They don’t always understand what the food is, or how to order the food, or what the ingredients are. Taco Bell takes the mystery

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The End In Mind

Sometimes we imagine ourselves the star of our own personal blockbuster biopic, currently in production (it’s sometimes in development hell, but generally moving forward) and it’s all vital and crucial, Academy Award-material, two thumbs way up. God is teaching us all this stuff, we think, even if don’t presently know what it is. And if

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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