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Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Lipstick
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Not For Teacher
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Diminishing Me
You’d think a guy’d remember if it was the first time he’d seen a body but I didn’t not at first. [Hadda chance to graduate from college into one of our acceptable wars but didn’t, into the war that is, and no shot at a medical profession: left HS Chem as it had only 28
Random
All You Can Eat Adultery
I get all the adultery I want. It’s true. Ask Michele. Thing is, I don’t want any. You may have guessed this, but others may have thought Wha — ? Aye, and there is the (naked back) rub. I don’t want any adultery because I love my wife. This is true, and it’s the main,
Columbo: Why We Watch
This is part one of a two-part post on why, some 45 years later, we still watch Columbo. Part two is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * For my wedding, I asked for and received the Columbo DVD collection. Complete to that point, it ended
Make No Mistake
When I played baseball in 10th grade, our coach was forever admonishing us to Give 110% — often prefaced by a forlorn C’mon fellas … [In 11th grade, the coach would line us up against the chain link fence in front of the dugout and hit baseballs at us. He said this was to train our
The Simple Art of Murder (Excerpt)
Raymond Chandler In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not