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True Romance

Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the

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On Real

Learned of late that several people — at least three husbands in young marriages, two with young children, everyone in his 20s — had not only never read The Velveteen Rabbit … but hadn’t heard of it. That sorta explains why it’s public domain and I can link to it here. Also explains why when

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Subjective, Objective

The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t a

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People do the Craziest Things

Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that

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Random

The American Poet

In evangellyfish circles there used to be a joke thus — Let us now turn to Malachi, the Italian prophet. The joke works if you say chi the way we’re supposed to say Qi if it’s the Chinese thing. And it works, though my Italian wife will die on the bruschetta with a hard “k”

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Plough Lines

“For sale: baby shoes” is a classified ad. “For sale: baby shoes; never worn” is a story. It’s Hemingway’s, in fact. * “The king is dead” is a news bulletin. “The king died, and the queen died of grief” is a story. Better yet, “The king died, and the queen and her lover died in

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Missing Dinner

The common phrasing phor life today offers one and sundry the common counsel, Live, Laugh, Love. Jesus responds — preempts if you prefer it precise — with semi-characteristic frankness Love Love Love I say semi-characteristic since only half the time is he blunt, while the other half he’s maddeningly opaque — like the dork in high

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