Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
There’s an unfortunate instructor-y thing where the guy on stage [I’ve found it’s usually a male doing this] asks a question he already knows the answer to, one of the people in the audience … err, classroom … is the target, the answer given is wrong, and the stagehand just goes and gives the answer
Adore and obey, don’t fulminate and flee Be a man not a guy A producer not a consumer Solution not problem (or be quiet) (which doesn’t mean don’t talk ever) Measured not random Good not bad Lean not fat Walking not sitting Writing not watching Reading not watching Watching not sleeping Pay attention! People not things
Well we watched the end of Planet of the Apes. Oy. The 2001 version ends, as you may know, in a massive battle scene, like some simian Braveheart. Huh? This is how a Tim Burton film (almost) ends? Not with a weirdness but a boom? Then there’s the whole Lincoln Memorial (actual) end. Huh? Huh?
Of mercy’s fire and blood Mercy burns, wrote Mary Flannery O’Connor, by which she meant … well, let’s think on it for a minute or so, before we say. For we have ideas of mercy, several actually, and we must discard them all the time, and destroy them if can, as quickly as supernaturally possible. One