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What I Recalled Watching Netflix
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
Seeking the King
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
He’s the Guy
Those social media posts of ‘this moment in this famous film was totally unscripted!!!’ as if that by itself makes it better miss the point. Moat unscripted material, like most ideas, inventions, ideas, notions, &c … fails — such is the nature of creativity: the best stuff, it is devoutly to be wished, sticks around;
‘Round Here
Imagine someone, potentially anyone, even you, perhaps, but let us, in any case, say. Yes, you. You pull into the diner – Earl’s, Norm’s, Dinah’s, something like that. A sort-of Googie architecture … but maybe not quite, as if it’d been a little late for the Space Age, and late is the one thing you
Random
Columbo: Why We Watch
This is part one of a two-part post on why, some 45 years later, we still watch Columbo. Part two is here. This essay is excerpted from The Columbo Case Files: Season One, found here. Thank you. * For my wedding, I asked for and received the Columbo DVD collection. Complete to that point, it ended
Ship of Friend
Two dynamics characterize the practice of contemplation: deepening concentration and expanding awareness. These two are one. They give birth to twins: inner solitude and loving solidarity with all. Martin Laird, A Sunlight Absence This post started a little rando, but its contents aren’t … heh — especially where its contents aren’t mine. Elsewhere — possibly
Too Old For This
You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I
Giant in the Land
Dallas Willard revised his affairs yesterday, moving to the headquarters of the Kingdom of the Heavens to live slightly nearer to God, whom he spoke of, served, embodied. The life he continues to live today. Unceasingly infused, this life was and is. For these ideas and Our Lord were everywhere in what Dr. Willard said