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Trick Shot

Sometimes successful films — ones that aren’t expected to be, by many excellent people — spawn copycats, a fact as well-known as well-attested. The followers aren’t as awesome as the originals but they’re not always so awful, and the makers, if they care a little, will throw some new stuff in, or at least get people

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No Prizes for Subtlety

It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or

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Can We Tawk?

Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future

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Hide and See

Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found

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Random

Trusting Taylor Sheridan

Yellowstone sucks. Och! — but you knew that. Wait … umm … we can agree on that right? + Prolly not — else why this blog post and the recent headline that its ‘creator’, Taylor Sheridan, said Season 4 is in the can. + I tried to get through Season 1 again. Had bought it a

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What Are The Stories

“What are the stars?” No, not “big balls of gas” — that’s just their form. Just as people aren’t blood and guts so are stars not big balls of gas. What then are the stories?  I started with two divergent thoughts — There is only one plot: things are not what they seem. Jim Thompson and With a

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Too Old For This

You know the line. Usually spoken by an ersatz Bruce Willis type, it is well past cliché, sliding in safely but awkwardly beyond its years to self-parody, as predictable as the pablum in which it appears. [And note, I like every other Die Hard movie.] And yet, here I am: Too old for this. I

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Kim Possible

All the while watching Mad Men seemed to me the question was ‘Would Don Draper be redeemed?’ Breaking Bad was running roughly concurrently and the same question with an otherly alliteration was being posed: ‘Would Walter White be damned?’ The answer to the first was quintessentially postmodern, exquisitely childish, and thereby perfect — neither. Or, as an actual

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