Recent
No Prizes for Subtlety
It was the sort of place you wouldn’t be found dead in; the guy on the floor didn’t agree. Didn’t seem to like the floor — but it was in better shape than his face. Then someone had gone duck hunting on his chest. And either another guy was standing in front of me, or
Can We Tawk?
Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Hide and See
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Greater Love Blah Blah Blah
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
Random
Around the House
One night I watched about half of “Extreme Makeover: Personal Edition.” Or something like that. It was about body renovations instead of housing, which is an interesting way to extend the brand. I can’t help wondering if as they pitched the idea a guy didn’t say, “Heh, heh — fat people … house … get
Closer
Norm’s is the kind of restaurant where across the street there is a long car wash, a 12-unit apartment building, a donut shop open most of the hours Norm’s is open, a strip mall with a “Luxury Day Spa” between the cigarette store and the cut-rate auto insurance broker: “Free SR-22 Filings!” the sign says. It’s
Murder, Inc.
In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,
I’ve Said Too Much
There’s a danger of saying too much. There’s always that. I wrote previously and succinctly about stories. Here’s a longer exploration I’ve been working on, off and on, for about a year. * Every true story starts with realizing something is out of place and involves people asking who they are in a world where things (they now see)