Recent
Subjective, Objective
The other day I wrote on a wing and a whim … and misremembering. Or as Prufrock put it, quoting Woman — That is not it at all, That is not what I meant, at all. Nearly nothing I recalled happened in that way. Except of course the recalling. And a bit more. Wasn’t
People do the Craziest Things
Adam — did he do what he did for love? Did he say, ‘I will join her; I can’t bear to be without her.’ — is that how it went down? He at after Eve; was it because he’d rather skulk around the earth a sojourner and pilgrim at the mercy of the people in that
Time and Treasure
Saw an episode ages ago of one of the Twilight Zone reboots which, I’m pretty sure, starred Mark Hamill as this weird kid who collected toys. All this kitschy stuff from the ‘50s and grew up collecting them — and thus stayed weird and for the most part apparently lonely for his life entire. Of course
Ensamples
Among the worst things about The Slap is how it has fed self-righteousness in all but the two participants, and they already had it or it wldn’t have happened. But there is Solzhenitsyn, again, with the line between good and evil that cuts through every human heart, and there is Dostoevsky, always, reminding us via
Random
Barbaric Yawn
One of the saddest things about Mildly Somnolent and Her Raging Nonesuch is she prolly thinks she’s transgressive, mayhap even original. Please. Madonna did it 30 years ago. Figure 15 more for Britney’s turn. Now it’s 15 again. See Ecclesiastes for explanatory of this clockwork snore — What has been is what will be, and
Relent and Sin S’More
Relent is not Repent. Relent is … Oh, OK … yeah. I shouldn’t. Repent is … not that.
I’ve Said Too Much
There’s a danger of saying too much. There’s always that. I wrote previously and succinctly about stories. Here’s a longer exploration I’ve been working on, off and on, for about a year. * Every true story starts with realizing something is out of place and involves people asking who they are in a world where things (they now see)
The Simple Art of Murder (Excerpt)
Raymond Chandler In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not