Comedienne Joan Rivers’ catchphrase was, ‘Can we talk?’ with all that that entails — its rhetorical nature, the Jewish thing, an implication that at least one of the parties will be better off for having done so … Like God. T’other day a priest spoke of ontological remembrance, the immediate and ongoing memory of past-present-future
Something lost, Dallas Willard said once, might yet be very valuable. One’s car keys for instance. He was speaking somewhat in the context of salvation, if I recall … the general point was calling something lost doesn’t mean it’s not wanted — quite the opposite. Yet it remains … until finding its way out or being found
Do we doubt locals thanked them for their service? I’m not equating the two. They were wrong; glad we crushed them. Only noting it’s likely they thought as much about such things as we do, which is to say not much. German citizens who believed their leaders, loved their country, watched their sons get on
According to @CitizenScreen, doing yeoman’s* work daily on Twitter* relative to the Golden Age of film, today is the birth date of Mabel Normand, Hedy Lamarr, and Dorothy Dandridge — Normand: New York, 1892 Lamarr: Vienna, 1914 Dandridge: Cleveland, 1922 — which makes for coupla at least interesting, if not compelling or fascinating at the
Casting Crowns made me cry. It was the song “Somewhere in the Middle” — sometimes called “Caught in the Middle” on the Internet. I misheard one of the lines too — the phrase is “deepwater faith, in the shallow end.” It was also a little disconcerting to learn that it was written for teenagers. We
Your plan is not working, they say. Ah, but my plan is working, we respond. (I just haven’t fully implemented it, yet … ) But look at the results you’re getting, they say. Things a’gonna change, just you wait, comes our reply. * The truth is, our plan is working. Mine is, yours is, theirs
Our system is perfectly designed for the results we’re getting. We worship wealth and crave power. We have a job called “celebrity” and wink at vulgarity and reward villainy. We admire brashness. We randomly excuse or excoriate peccadilloes: depends on the news cycle, the fame or infamy possible, and the money and status of those involved.
In Season One’s “Ransom for a Dead Man” Columbo tells a story about his cousin Ralph. He’s flying in Leslie Williams’ plane and she’s been talking about her husband, whom she’s murdered. By the story he tells after they’ve landed, he enters the murderer’s mind — with a significant stopping point: “I have this cousin, Ralph,