‘Errantry’
JRR Tolkien
Commercially found in Adventures of Tom Bombadil
Image: detail, Pauline Baynes’ illustration, for above
[Where did JKR hear the buzz of Dumbledore … ]

‘Errantry’
JRR Tolkien
Commercially found in Adventures of Tom Bombadil
Image: detail, Pauline Baynes’ illustration, for above
[Where did JKR hear the buzz of Dumbledore … ]
I am not saying Christians are like coyotes. [For that, some could cut caustically to coyotes are like Christians — tricksters, roaming in the dark, feeding on the dead … ] Simply noticed — somewhat in passing, as it’s said, having attained, apparently … achieved? … some kind of state where nearly anything I hear,
Short answer: he did not. Neither did Prince Myshkin, that we know of. Likely both believed it. Beauty — in the person of Christ — will do so. And clearly D wrote of M in The Idiot to explore art and beauty and ugliness and salvation. But did he say it, and did he believe that
[Television is educational.] One Saying the same stuff over and over looks like you have different things to say. Two If you’re ever in a below-average film or streaming series, and you beat the tar out of a guy, in a house, and you gaze down in both some shock as also a certain
A line everywhere misattributed to Chesterton reads thus: The young man who rings the bell at the brothel is unconsciously looking for God. This line is not from the great [several senses of the word] man who recently celebrated his 150th birthday, but the mid-century most unmodern novelist Bruce Marshall. The words — which do
The other day I wrote about having no hope. More specifically no hope in this world, more specifically because the hopes we had have been hammered against hardened sand and dirt and clay, that is, against the rocks. That may be the basic choice in life: Heart hardened … or Hopes hammered … And then
shows up every day stays on the job all day commits to the long haul sets the stakes high, sees they’re real is patient seeks order demystifies acts in the face of fear accepts no excuses plays it as it lays is prepared doesn’t show off masters technique asks for help doesn’t take failure
Dear All of You, Please stop that. Yours sincerely, The Rest of Us
Mentioned last week the Manic Pixie Dream Girl, a term used in film to refer to a female — not a woman, mark you, but a girl or perhaps female, depending on the level of [im]maturity — who exists in a story not for herself, more deeply not as a Self, but only for the
Poetry’s a sneaky bastard. All the time sidling up to one on false pretenses — ‘It’s just the one’ … ‘We won’t intrude’ — and they’re all lies damn one’s eyes! Lies-damned-lies and no need for statistics and the pile of warm laundry does not diminish and soon loses its warmth and begins to glower
Pig is revelation. Revealing is when what’s here is hidden then seen. It’s really many individual ones, though widely considered they’re the same, and all the individuals are related, perhaps only proximately at first, but also in ways they themselves don’t initially see. + Key is it’s here. Problem is we don’t see it. Action
Chapter Nine of Peace Like a River — the best novel of the first quarter century of the millennia and yes, I know there are 3 to 4 years left of that range, depending on one’s counting to 100 — is when the Land family hears they now own an Airstream trailer, courtesy of the
Relationship finds its own level. Generally it looks like we [and others] choose — a boy’s entreatment rejected, an attorney makes partner, 158 million of us vote — but there is a finality to much that we ostensibly do. This is how such absurdities as determinism gain purchase, how authors can talk and be misunderstood